[ Предположительная тональность: G ]
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Passig Afternoon - Iron & Wine
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Tabbed by: puderjunge
Email:
Tuning: Standard, Capo 2nd
This is a correction of a tab I found here. I felt like the Em didn't do the job
for the harmonics.
CDGC
There are times that walk from you like some passing afternoon
GDCD
Summer warmed the open window of her honeymoon
CDGC
And she chose a yard to burn, but the ground remembers her
GDCD
Wooden spoons, her children stir her bougainvillea blooms
CDGC
There are things that drift away like our endless, numbered days
GDCD
Autumn blew the quilt right off the perfect bed she made
CDGC
And she's chosen to believe in the hymns her mother sings
GDCD
Sunday pulls its children from their piles of fallen leaves
CDGC
There are sailing ships that pass all our bodies in the grass
GDCD
Springtime calls her children 'till she lets them go at last
CDGC
And she's chosen where to be, though she's lost her wedding ring
GDCD
Somewhere near her misplaced jar of bougainvillea seeds
CDGC
There are things we can't recall, blind as night that finds us all
GDCD
Winter tucks her children in, her fragile china dolls
CDGC
But my hands remember hers, rolling 'round the shaded ferns
GDCD
Naked arms, her secrets still like songs I'd never learned
CDGC
There are names across the sea, only now I do believe
GDCD
Sometimes, with the windows closed, she'll sit and think of me
CDGC
But she'll mend his tattered clothes and they'll kiss as if they know
GDCD
A baby sleeps in all our bones, so scared to be alone
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comments
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8 comments total. Showing first comments.
+3
reply
Rabid Voodoo wrote on August 14 2009, 04:42 pm
I agree with you, the Em just doesn't work. this is the only tab on here that I believe sounds right. Great job!
+2
reply
Rabid Voodoo wrote on August 14 2009, 04:43 pm
the only tab of this song, that is
+2
reply
straightfrom wrote on July 21 2013, 05:16 pm
The chords are correct but you need to put the guitar in drop D like so many of the other songs off "Endless Numbered Days". The G chord is never fully strummed. Rather, a bass line that peddles the open strings is played. The C is a C7M and technically the D is D7M removing the high E string entirely from the chord and in this case removing the B to open. But Unless you strike the open B as clearly as he doest, it sounds best as just a Dadd9. The clear striking of the open B is something he uses sparingly and it seems to slowly disappear as the arrangement continues. So strum each chord and strike the B at your own judgment to mimic the song.
Here is what I play. Remember, Drop D with a 2nd fret capo is required.
C7MD6G------------------------------------------------------0---0--0------------0-----0------0----0---0--------0---0------------2--------0------0----0---0--------2---2--------0---0---------------------------------3---3--------0---0-----------0------2---------------------------0---0------5----------------5------C7MGD6------------------------------------------------------0---0--0---0----0---0---0-----------0--------------0---0------0----0---0---0--------2-----------------2---2------------------------0---0-----------------3---3--------0----2----------0---0---------------------------5-----------5------0---0-------------C7MDadd9------------------------------------------------------0-0-0-0---3-3-3-3----------------------------------0-0-0-0---2-2-2-2------repeat entire song----------2-2-2-2---0-0-0-0----------------------------------3-3-3-3---0-0-0-0--------------------------------------------0-0-0-0-------------------------------
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