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Smashing Pumpkins - Melon Collie & The Infinite Sadness Album - аккорды и текст, таба, видео

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Smashing Pumpkins - Melon Collie & The Infinite Sadness Album - аккорды и текст, таба, видео

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Melon Collie & The Infinite Sadness Album
Smashing Pumpkins
		   Mellon Collie and The Infinate Sadness album - Smashing Pumpkins

NOTE: DO NOT PRINT THIS FROM THE INTERNET as it is approx. 65 pages long. It's best to save it on a floppy or on your hard drive and then to print the sections you want.
This file was put together by CyberBry (659513@ican.net). BUT, all credit should be givin to the author of the chords/tab for each song. I did NOT write all of this tab! Most of it is from .

SONG LIST:

Mellon Collie and The Infinate Sadness
Tonight, Tonight
Jellybelly
Zero
Here Is No Why
Bullet With Butterfly Wings
To Forgive
(Fuck You) An Ode to No One
Love
Cupid de Locke
Galapogos
Muzzle
Porcelina of The Vast Oceans
Take Me Down

Where Boys Fear to Tread
Bodies
Thirty-Three
In the Arms of Sleep
1979
Tales ofa Scorched Earth
Thru the Eyes of Ruby
Stumbleine
x.y.u.
We Only Come out at Night
Beautiful
Lily (my one and only)
By Starlight
Farewell and Goodnight

MELLON COLLIE AND THE INFINATE SADNESS

TRANSCRIBED BY ADAM MORRIS

DO NOT overlook this TAB just because it a piano song,
it is GREAT fun to play!!

THIS IS THE COMPLETE TAB!!

I have completed the TAB after MANY requests to do so,
so...enjoy!

This was NOT an easy task, I can assure you of that!!
Some piano chords do not convert well to guitar!

TUNING: 1/2 step down, dropped D (actually Db), with
        capo on 2nd fret.  The 3rd fret now becomes
        the 1st fret etc. (this is just to be consistent
        with the half step down thing)


Piano arranged for guitar


E |----------0-0--3-1-0-1-0--------|
B |-1--------1-1--------3---3-1----|
G |-0------0-0-0--------2-----x--2-|
D |-2----2---2-2--------0-----3----|
A |-3--3-----3-3--------------3----|
D |--------------------------------|

  |----------0-0--3-1-0-1-0--------|
  |-1--------1-1--------3---3-1----|
  |-0------0-0-0--------2-----x--2-|
  |-2----2---2-2--------0-----3----|
  |-3--3-----3-3--------------3----|
  |--------------------------------|

  |-1--0------------------------0--|
  |-x-----3--1-----1--------1-3----|
  |-3--------x--2--0------0--------|
  |-3--------3-----2----2----------|
  |-1--------3-----3--3------------|
  |--------------------------------|

  |--------------------------------|
  |-6--5--3--1--1------------3-1---|
  |-0-----0--x--2--0-------0-----3-|
  |-0--------3-----1-----1---------|
  |-x--------3-----1---1-----------|
  |-5--------------1-1-------------|

  |--------------------------------|
  |-1----1--3--6-------------3-1---|
  |-2----2--3--3--3------3-5-----3-|
  |-x-------0-----5----5-----------|
  |-3--3----------5--5-------------|
  |--------------------------------|

  |--------------------------------|
  |-1----1--3--6-------------3-1---|
  |-2----2--3--3--3------3-5-----3-|
  |-x-------0-----5----5-----------|
  |-3--3----------5--5-------------|
  |--------------------------------|

  |--------------------------------|
  |-1----1--3--6-------------3-1---|
  |-2----2--3--3--3------3-5-----3-|
  |-x-------0-----5----5-----------|
  |-3--3----------5--5-------------|
  |--------------------------------|

  |--------------------------------|
  |-1---------1--------------------|
  |-2------2----3-2-0------0--3-2--|
  |-3----3----------1----1--------3|
  |-3--3------------1--1-----------|
  |--------------------------------|

CELLO ENTERS

E |----------0-0--3-1-0-1-0--------|
B |-1--------1-1--------3---3-1----|
G |-0------0-0-0--------2-----x--2-|
D |-2----2---2-2--------0-----3----|
A |-3--3-----3-3--------------3----|
D |--------------------------------|

  |----------0-0--3-1-0-1-0--------|
  |-1--------1-1--------3---3-1----|
  |-0------0-0-0--------2-----x--2-|
  |-2----2---2-2--------0-----3----|
  |-3--3-----3-3--------------3----|
  |--------------------------------|

  |-1--0------------------------0--|
  |-x-----3--1-----1--------1-3----|
  |-3--------x--2--0------0--------|
  |-3--------3-----2----2----------|
  |-1--------3-----3--3------------|
  |--------------------------------|

  |----------------------------0---|
  |--------1---3-1---------1-3-----|
  |-3----x-2-----0-------0---------|
  |-3-2--x-3-----2-----2-----------|
  |-1------3-----3---3-------------|
  |--------------------------------|

  |----------------------------0---|
  |--------1---3-1---------1-3-1---|
  |-3----x-2-----0-------0---0-----|
  |-3-2--x-3-----2-----2-----------|
  |-1------3-----3---3-------------|
  |--------------------------------|

  |----------------------------0---|
  |--------1---3-1---------1-3-1---|
  |-3----x-2-----0-------0---0-----|
  |-3-2--x-3-----2-----2-----------|
  |-1------3-----3---3-------------|
  |--------------------------------|

  |-1-0----------------------------|
  |-3-3---1------------------3-1---|
  |-x-----2---2--0---------0-----3-|
  |-0-----3---3--1-------1---------|
  |-------3------1-----1-----------|
  |--------------1---1-------------|

  |--------------------------------|
  |-1----1--3--6-------------3-1---|
  |-2----2--3--3--3------3-5-----3-|
  |-x-------0-----5----5-----------|
  |-3--3----------5--5-------------|
  |--------------------------------|

  |--------------------------------|
  |-1----1--3--6-------------3-1---|
  |-2----2--3--3--3------3-5-----3-|
  |-x-------0-----5----5-----------|
  |-3--3----------5--5-------------|
  |--------------------------------|

  |--------------------------------|
  |-1----1--3--6-------------3-1---|
  |-2----2--3--3--3------3-5-----3-|
  |-x-------0-----5----5-----------|
  |-3--3----------5--5-------------|
  |--------------------------------|

  |--------------------------------|
  |-1--------1---------------------|
  |-2------2---3-2-0-------0-3-2---|
  |-x----3---------1-----1-------3-|
  |-3--3-----------1---1-----------|
  |------------------1-------------|

  |----------0-0--3-1-0-1-0--------|
  |-1--------1-1--------3---3-1----|
  |-0------0-0-0--------2-----x--2-|
  |-2----2---2-2--------0-----3----|
  |-3--3-----3-3--------------3----|
  |--------------------------------|

  |----------0-0--3-1-0-1-0--------|
  |-1--------1-1--------3---3-1----|
  |-0------0-0-0--------2-----x--2-|
  |-2----2---2-2--------0-----3----|
  |-3--3-----3-3--------------3----|
  |--------------------------------|

  |-1--0------------------------0--|
  |-x-----3--1-----1--------1-3----|
  |-3--------x--2--0------0--------|
  |-3--------3-----2----2----------|
  |-1--------3-----3--3------------|
  |--------------------------------|

  |--------------------------------|
  |-6--5--3--1--1------------3-1---|
  |-0-----0--x--2--0-------0-----3-|
  |-0--------3-----1-----1---------|
  |-x--------3-----1---1-----------|
  |-5--------------1-1-------------|


  |--------------------------------|
  |------------1-------------------|
  |-2--------2---3-2--0--------0---|
  |-0------0----------1------1-----|
  |-0----0------------1----1-------|
  |-0--0--------------1--1---------|

  |--------------------------------|
  |-3-1-----------------1----------|
  |-----3-2----------2------3---2--|
  |-------0--------0---------------|
  |-------0------0-----------------|
  |-------0----0-------------------|

  |---------------19-20------**-----|
  |-------11-12---------------------|
  |-4-------------------------------|
  |-4-------------------------------|
  |-2-------------------------------|
  |---------------------------------|
  *~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*
   This whole measure is IMPOSSIBLE
   to be arranged for guitar because
   of the difference in number of
   octaves to a piano.  The C is meant
   to be a low C, but I HAD to arrange
   it as a high, I am very sorry!
** Impossible note on a guitar.

**** Remember that the numbers shown
     are fret numbers IN RELATION TO
     THE CAPO!
     The dot on the 3rd fret becomes the
     1st fret in the tab fret.

As you can probably tell, this TAB was not
an easy task for me to work out and transcribe,
so.....

PLEASE tell me what you think!!!

Adam
benmo@deakin.edu.au


TONIGHT, TONIGHT


performed by the Smashing Pumpkins
from the album Mellon Collie and the Infinite Sadness

tabbed by perth@nando.net  Dennis Kim>

Unfortunately, my orchestral string ensemble is in the shop right now, so i
couldn't tab out that part :>

Fortunately, this album, Billy was brave and included the lyrics.

The bass is also tuned down and plays the theme Cb, Bb, Db in the key of Cb.

Key of C flat  you can tune down a half-step to (LO-HI) EbAbDbGbBbEb or use a capo>

Chords of magic:

eb--3--0---1-----x----
Bb--3--0---1-----3----
Gb--0--0---0-----2----
Db--0--2---2-----0----
Ab--2--2---3-----x----
Eb--3--x---x-----x----
    G  Em  Cadd9 D

The fingerpicking part for the verses:

repeat a few times

eb------------------------------------------------------ |
Bb-----0--------0--------0-----0--------0--------0------o|
Gb--------0--------0--------------0--------0------------ |
Db-----------0--------0--------------0--------0--------- |
Ab--3-----------------------5---------------------------o|
Eb------------------------------------------------------ |
    t  r  m  i  r  m  i  r  t  r  m  i  r  m  i  r

t: thumb, r: ring, m: middle, i: index

The rythm part:

G Em G Em

Cadd9 G D Cadd9 G D Cadd9 G D G

 begin fingerpicking...lyrics start two measure in>

  time is never time at all

  you can never ever leave without leaving a piece of youth

  and our lives are forever changed we will never be the same

  the more you change the less you feel
                                         G D Em
  believe, believe in me, believe (believe)
                                                    G D Em
  that life can change, that you're not stuck in vain
                                         Cadd9 G D Cadd9 G D
  we're not the same, we're different tonight
Cadd9 G D G
  tonight, tonight, so bright
Cadd9 G D Cadd9 G D G Em
  tonight, tonight
G
  and you know you're never sure
                                Em
  but you're sure you could be right

  if you held yourself up to the light
G
  and the embers never fade in your city by the lake
Em
  the place where you were born
 start fingerpicking again>        G D Em
  believe, believe in me, believe (believe)
                             G D Em
  in the resolute urgency of now
                                          Cadd9 G D Cadd9 G D
  and if you believe there's not a chance tonight
  Cadd9 G D G         Cadd9
  tonight, tonight, so bright
  Cadd9 G D G D Em
  tonight, tonight
  G              Cadd9        G        D Em
  we'll crucify the insincere tonight (tonight)
  G                        Cadd9             G        D Em
  we'll make things right, we'll feel it all tonight (tonight)
  G                   Cadd9     G        D Em
  we'll find a way to offer up the night tonight
  G                   Cadd9     G        D Em
  the indescribable moments of your life tonight
  G                 Cadd9    G        D Em
  the impossible is possible tonight (tonight)
  G                  Cadd9            fingerpicking>
  believe in me as i believe in you, tonight
                                    G D Em
  tonight, tonight, tonight, tonight...


Ok..goodnight  tonight:>
Dennis.


JELLYBELLY


Tabbed by Brian McCall  bpmccal@clemson.edu>


[Db, Ab, Db, Gb, Bb, Eb]

Intro

G and G heavy distortion

|------------------------------------------------------
|------------------------------------------------------
|------------------------------------------------------
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0----------------------
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0----------------------
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0-------------/12~~~\--

|------------------------------------------------------
|------------------------------------------------------
|------------------------------------------------------
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0----------------------
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0----------------------
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0-------------pfbr3----

|------------------------------------------------------
|------------------------------------------------------
|------------------------------------------------------
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0----------------------
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0----------------------
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0-------------/12~~~\--

|------------------------------------------------------
|------------------------------------------------------
|-----------------------------------5/7-X-5-5----------
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0---5/7-X-5-5-5-5------
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0---3/5-X-3-3-5-5------
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0-------------5-5------

|--------------------------------------------------------
|--------------------------------------------------------
|-----5/7-X-5-5---------5/7-X-5-5---------5/7------------
|-0---5/7-X-5-5-5-5-0---5/7-X-5-5-5-5-0---5/7-5p4p0-5p4p0
|-0---3/5-X-3-3-5-5-0---3/5-X-3-3-5-5-0---3/5-5p4p0-5p4p0
|-0-------------5-5-0-------------5-5-0-------5p4p0-5p4p0...

*1

|------------------------------------------------------
|------------------------------------------------------
|-2--2--5--5------5/7-X-5-5-----2--2--5--5------5/7-X--
|-2--2--5--5--0---5/7-X-5-5-5-5-2--2--5--5--0---5/7-X--
|-0--0--3--3--0---3/5-X-3-3-5-5-0--0--3--3--0---3/5-X--
|-------------0-------------5-5-------------0----------

|------------------------------------------------------
|------------------------------------------------------
|-5-5-----2--2--5--5------5/7-X-5-5-----2--2--5--------
|-5-5-5-5-2--2--5--5--0---5/7-X-5-5-5-5-2--2--5--5-----
|-3-3-5-5-0--0--3--3--0---3/5-X-3-3-5-5-0--0--3--5-----
|-----5-5-------------0-------------5-5----------5-----

*2 (chorus)

|------------------------------------------------------
|-3-------0---------------------------------------------
|-2---5---0-----7---9---11--14-14-----------------------
|-0---5---5---X-X-X-X-X-X-X-X--X------------------------
|-0---3---5---X-5-X-7-X-9-X-12-12-----------------------
|-0-------5---X---X---X---X-----------------------------

*3 (2nd verse)

|------------------------------------------------------
|------------------------------------------------------
|-2--2--5--5--X-7-X-5-X-7-X-5-X------2--2--5-----------
|-2--2--5--5--X-7-X-5-X-7-X-5-X-5-5--2--2--5--5--X-4---
|-0--0--3--3--X-5-X-3-X-5-X-3-X-5-5--0--0--3--5--X-4---
|-------------X---X---X---X---X-5-5-----------5--X-4---

|-------------------------------------------------------
|-------------------------------------------------------
|----------------------2--2--5--5--X-7-X-5-X-7-X-5-X----
|-X-5-X-7-X-9-X-10-10--2--2--5--5--X-7-X-5-X-7-X-5-X-5-5
|-X-5-X-7-X-9-X-10-10--0--0--3--3--X-5-X-3-X-5-X-3-X-5-5
|-X-5-X-7-X-9-X-10-10--------------X---X---X---X---X-5-5

|------------------------------------------------------
|------------------------------------------------------
|-2--2--5----------------------------------------------
|-2--2--5--5-------------------------------------------
|-0--0--3--5-------------------------------------------
|----------5-------------------------------------------

repeat *2

|-----------------------            -------------------
|-X-7-X-5-X-7-X-5-X-----            -----4-4-----------
|-X-7-X-5-X-7-X-5-X-5-5-            -4-4-4-4-----------
|-X-5-X-3-X-5-X-3-X-5-5-            -4-4-2-2-----------
|-X---X---X---X---X-5-5-            -4-4---------------
                       ^repeat until

*4

|------------------------------------------------------
|------------------------------------------------------
|-------------4-4--------------------------------------
|-0-0-5-5-4-4-4-4--------------------------------------
|-0-0-5-5-4-4-2-2--------------------------------------
|-0-0-5-5-4-4----...-----------------------------------

then cracendo (sp I'm sure) a-la-Rocket

and back to *1 and intro with a few variations I didn't tab.
ZERO



Tabbed by Brian McCall  bpmccal@clemson.edu>


All guitars tuned to Eb (Eb Ab Db Gb Bb Eb)

*1

G (G enters later) Distortion

|--------------------------------------------------------------
|--------------------------------------------------------------
|-5-\4-4---------5-5\4-4---------5-\4-4---------5-3\4-4--------
|-X--X-X---------X-X-X-X---------X--X-X---------X---X-X--------
|-3-\2-2---------3-3\2-2---------3-\2-2---------3-3\2-2--------
|--------0-0-0-0---------0-0-0-0--------0-0-0-0---------0-0-0-0
         ^-----^         ^-----^        ^-----^         ^-----^
          harmonics*       harm.           harm.           harm.

* These harmonics are produced by lightly applying your index
finger to the low E and gradually sliding from around fret 1.75
to 4 or so.  A good way of looking at this is letting your finger
touch the E while setting back up for the C octave chord.

*2

|---------------------------------------
|---------------------------------------
|-9-----11----9-----12----11\7--7-------
|-X-----X-----X-----X-----X-----X-------
|-7-----9-----7-----10----9-\5--5-------
|---0-0---0-0---0-0---0-0---------------
                                 ^repeat

Put in Es (|022100| or |079900|) in the part that goes:

"Emptiness is lovliness and\Lovliness is cleanliness and\
 Cleanliness is godliness and\God is empty just like me."

*3 (after slide and under solo)

G

|--------------------------------------------------------------
|--------------------------------------------------------------
|---------------5-5\4-4-------------------------5-5\4-4--------
|---------------X-X---X-------------------------X-X---X--------
|-3-2---2-------3-3\2-2---------3-3-2---2-------3-3\2-2--------
|-----3---0-0-0---------0-0-0-0-------3---0-0-0---------0-0-0-0

|--------------------------------------------------------------
|--------------------------------------------------------------
|--------------------------------------------------------------
|--------------------------------------------------------------
|-3-3-2---2-------2-3-2-2--------------------------------------
|-------3---0-2-3---------0-0-0-0-...and so on-----------------

*4 (You blame yourself...)

|--------------------------------------------------------------
|--------------------------------------------------------------
|-9-----9-----9-----9-----11---12------------------------------
|-X-----X-----X-----X-----X----X-------------------------------
|-7-----7-----7-----7-----9----10------------------------------
|---0-0---0-0---0-0---0-0----0----0----------------------------
                                   ^repeat

at the end of this riff G plays:

|--------------------------------------------------------------
|--------------------------------------------------------------
|-9-9-9-111111121212-------------------------------------------
|-X-X-X-X-X-X-X-X-X--------------------------------------------
|-7-7-7-9-9-9-101010-------------------------------------------
|-------------------....on up----------------------------------

Those high sceams (like the end of the above) are the high E on the 24th
fret (it's james on his V or flood in the production room).

then repeat *1 and that's Zero!

HERE IS NO WHY

By:        The Smashing Pumpkins
Tab By:    Carlos Bustos
Email:     cab144@mail.usask.ca
TUNING:    Down half a step
Comment:   This song contains similar riffs throughout, BUT, the riffs
           are changed everyonce in a while.  I tab'ed it from start to
           finish to make it easier.

[INTRO]: A7M  , NOT A
||-x-------------x-------------x------------------------------------------|
||-2-----x-x--x--2-----x-x--x--2-----x-x--x------------------0-----x-x--x-|
||-1-----x-x--x--1-----x-x--x--1-----x-x--x--2h4p2\1-1h2-2/4-1-----x-x--x-|
||-2-----x-x--x--2-----x-x--x--2-----x-x--x------------------2-----x-x--x-|
||-0-----x-x--x--0-----x-x--x--0-----x-x--x------------------2-----x-x--x-|
||-x-----x-x--x--x-----x-x--x--x-----x-x--x------------------0-----x-x--x-|

||-----------x-------------x-------------x-------------------------------|
||-0---------2-----x-x--x--2-----x-x--x--2-----x-x--x------------------0-|
||-1---------1-----x-x--x--1-----x-x--x--1-----x-x--x--2h4p2\1-1h2-2/4-1-|
||-2---------2-----x-x--x--2-----x-x--x--2-----x-x--x------------------2-|
||-2---------0-----x-x--x--0-----x-x--x--0-----x-x--x------------------2-|
||-0--0--3p0-x-----x-x--x--x-----x-x--x--x-----x-x--x------------------0-|

||-------------------|
||-------------------|
||-9/11-9-7-7-7-7-6--|
||-x--x-x-x-7-7-7-7--|
||-7/-9-7-5-5-5-5-7--|
||----------5-5-5-5--|


[RIFF A]:
||---x-------------x-------------x-------------x--------------------------|
||---2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x--0-----x-x--x-|
||---1-----x-x--x--1-----x-x--x--1-----x-x--x--1-----x-x--x--1-----x-x--x-|
||---2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x-|
||---0-----x-x--x--0-----x-x--x--0-----x-x--x--0-----x-x--x--2-----x-x--x-|
||---x-----x-x--x--x-----x-x--x--x-----x-x--x--x-----x-x--x--0-----x-x--x-|
   The useless ... another day   The endless.. death rock boooooy__

||--------------|
||---0----------|
||---1----------|
||---2----------|
||---2----------|
||---0--0--3p0--|


Repeat [RIFF A]:
Mascara sure and lipstick lost ... glitter burned by restless thoughts

||-------------------|
||-------------------|
||-9/11-9-7-7-7-7-6--|
||-x--x-x-x-7-7-7-7--|
||-7/-9-7-5-5-5-5-7--|
||----------5-5-5-5--|
        of being forgotten

[NEXT RIFF, this one varies]:  Distortion comes in REALLY big here.
||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6------------9-9-9-9-911-9-7-----------------------|
||--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------|
||--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------|
||--2-----2-2-2--5--5--5--0-----------------------------------------------|
        and in your sad machines

||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6--9---------9-9-9-9-911-9-7-----------------------|
||--4-----4-4-4--7--7--7--9---------x-x-x-x-x-x-x-x-----------------------|
||--4-----4-4-4--7--7--7--7---------7-7-7-7-7-9-7-5-----------------------|
||--2-----2-2-2--5--5--5--------------------------------------------------|
        you'll forever staaay

||----------------------------------------------------|
||----------------------------------------------------|
||---------------6--6--6------------9/11-9-7-7-7-7-6--|
||--4-----4-4-4--7--7--7--2---------x--x-x-x-7-7-7-7--|
||--4-----4-4-4--7--7--7--2---------7/-9-7-5-5-5-5-7--|
||--2-----2-2-2--5--5--5--0------------------5-5-5-5--|
        desperate and displeased      with   whoever you are

||---------x-------------x---------------------------------------------|
||-x-x--x--2-----x-x--x--2-----x-x--x------------------0-----x-x--x--0-|
||-x-x--x--1-----x-x--x--1-----x-x--x--2h4p2\1-1h2-2/4-1-----x-x--x--1-|
||-x-x--x--2-----x-x--x--2-----x-x--x------------------2-----x-x--x--2-|
||-x-x--x--0-----x-x--x--0-----x-x--x------------------2-----x-x--x--2-|
||-x-x--x--x-----x-x--x--x-----x-x--x------------------0-----x-x--x--0-|
            and you're a star

||--------|
||--------|
||--------|
||--------|
||--------|
||-0--3p0-|

[The A7M   goes on a little longer here]
||-x-------------x-------------x-------------x-------------x------------|
||-2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x-|
||-1-----x-x--x--1-----x-x--x--1-----x-x--x--1-----x-x--x--1-----x-x--x-|
||-2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x-|
||-0-----x-x--x--0-----x-x--x--0-----x-x--x--0-----x-x--x--0-----x-x--x-|
||-x-----x-x--x--x-----x-x--x--x-----x-x--x--x-----x-x--x--x-----x-x--x-|
   Somewhere______         he  pulls     his hair down     over a frowning

||-x-------------------------------------x-------------x-------------x----|
||-2-----x-x--x--0-----x-x--x--0---------2-----x-x--x--2-----x-x--x--2----|
||-1-----x-x--x--1-----x-x--x--1---------1-----x-x--x--1-----x-x--x--1----|
||-2-----x-x--x--2-----x-x--x--2---------2-----x-x--x--2-----x-x--x--2----|
||-0-----x-x--x--2-----x-x--x--2---------0-----x-x--x--0-----x-x--x--0----|
||-x-----x-x--x--0-----x-x--x--0--0--3p0-x-----x-x--x--x-----x-x--x--x----|
                smile                    A hidden      cannot find the secret

||---------x------------------------------------|
||-x-x--x--2----x-x--x--0-----------------------|
||-x-x--x--1----x-x--x--1-----9/11-9-7-7-7-7-6--|
||-x-x--x--2----x-x--x--2-----x--x-x-x-7-7-7-7--|
||-x-x--x--0----x-x--x--2-----7/-9-7-5-5-5-5-7--|
||-x-x--x--x----x-x--x--0--------------5-5-5-5--|
  star     cannot       shine          over to you


   |-Palm Mute-|
||--4-x-x-4-x-x-----------------------------------------------------------|
||--5-x-x-5-x-x-5---5---7---7-----5---------------------------------------|
||--6-x-x-6-x-x-6---6---7---7-----6---------------------------------------|
||--6-x-x-6-x-x-6---6---7---7-----7----------------15b16b15~~-------------|
||--4-x-x-4-x-x-4---4---5---5-----7---------------------------------------|
||--4-x-x-4-x-x-4---4---5---5-----5---------------------------------------|
                May the king of   gloom

   |-Palm Mute-|
||--4-x-x-4-x-x-----------------------------------------------------------|
||--5-x-x-5-x-x-5---5---7---7-----9---------------------------------------|
||--6-x-x-6-x-x-6---6---7---7-----9----------------13/14-14/16-16~--------|
||--6-x-x-6-x-x-6---6---7---7-----9-----------------x--x--x--x--x---------|
||--4-x-x-4-x-x-4---4---5---5-----7----------------11/12-12/14-14~--------|
||--4-x-x-4-x-x-4---4---5---5-----7---------------------------------------|
                Be  for__ever doooooomed

||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6------------9-9-9-9-911-9-7-----------------------|
||--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------|
||--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------|
||--2-----2-2-2--5--5--5--0-----------------------------------------------|
          and in your sad machines

||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6--9---------9-9-9-9-911-9-7-----------------------|
||--4-----4-4-4--7--7--7--9---------x-x-x-x-x-x-x-x-----------------------|
||--4-----4-4-4--7--7--7--7---------7-7-7-7-7-9-7-5-----------------------|
||--2-----2-2-2--5--5--5--------------------------------------------------|
          you'll forever  stayyy_________

||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6------------9-9-9-9-911-9-7-----------------------|
||--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------|
||--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------|
||--2-----2-2-2--5--5--5--0-----------------------------------------------|
          burning up in  speed

||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6------------9/11-9-7-7-7-7-6----------------------|
||--4-----4-4-4--7--7--7--2---------x--x-x-x-7-7-7-7----------------------|
||--4-----4-4-4--7--7--7--2---------7/-9-7-5-5-5-5-7----------------------|
||--2-----2-2-2--5--5--5--0------------------5-5-5-5----------------------|
          lost inside the dreams             of teen machines

[interlude leading up to solo]:
The useless drag, the empty days
the lonely towers of long mistakes
to forgotten faces and faded loves
sitting still was never enough

[SOLO]: Solo, credit goes to jhewitt@ifu.net for this part of the solo
        thanx a bunch.
||--------------------------------------------------------------------
||--15b---------------------------------------------------------------
||-------------------------15b--12h13-12-12h13p12------------------15b
||-----16b-13-15-17h18-13~------------------------13h15p13--15p13-----
||--------------------------------------------------------------------
||--------------------------------------------------------------------

||--------------------------------------------------------------------
||--19b---------------------------------------------------------------
||------15/17\13--------------------13h15p13-12h13p12-13h15-13b12-----
||---------------15/17\13-13/15/18------------------------------------
||--------------------------------------------------------------------
||--------------------------------------------------------------------

   |-Palm Mute-|
||--4-x-x-4-x-x-----------------------------------------------------------|
||--5-x-x-5-x-x-5---5---7---7-----5---------------------------------------|
||--6-x-x-6-x-x-6---6---7---7-----6---------------------------------------|
||--6-x-x-6-x-x-6---6---7---7-----7----------------15b16b15~~-------------|
||--4-x-x-4-x-x-4---4---5---5-----7---------------------------------------|
||--4-x-x-4-x-x-4---4---5---5-----5---------------------------------------|
                and if your giving in(now thats a scream)


   |-Palm Mute-|
||--4-x-x-4-x-x-----------------------------------------------------------|
||--5-x-x-5-x-x-5---5---7---7-----9---------------------------------------|
||--6-x-x-6-x-x-6---6---7---7-----9----------------13/14-14/16-16~--------|
||--6-x-x-6-x-x-6---6---7---7-----9-----------------x--x--x--x--x---------|
||--4-x-x-4-x-x-4---4---5---5-----7----------------11/12-12/14-14~--------|
||--4-x-x-4-x-x-4---4---5---5-----7---------------------------------------|
                then your giving  uuup

||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6------------9-9-9-9-911-9-7-----------------------|
||--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------|
||--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------|
||--2-----2-2-2--5--5--5--0-----------------------------------------------|
        cause in your sad machines

||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6--9---------9-9-9-9-911-9-7-----------------------|
||--4-----4-4-4--7--7--7--9---------x-x-x-x-x-x-x-x-----------------------|
||--4-----4-4-4--7--7--7--7---------7-7-7-7-7-9-7-5-----------------------|
||--2-----2-2-2--5--5--5--------------------------------------------------|
          you'll forever  stay

||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6------------9-9-9-9-911-9-7-----------------------|
||--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------|
||--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------|
||--2-----2-2-2--5--5--5--0-----------------------------------------------|
          burning up in   speed

||----------------------------------------------------|
||----------------------------------------------------|
||---------------6--6--6------------9/11-9-7-7-7-7-6--|
||--4-----4-4-4--7--7--7--2---------x--x-x-x-7-7-7-7--|
||--4-----4-4-4--7--7--7--2---------7/-9-7-5-5-5-5-7--|
||--2-----2-2-2--5--5--5--0------------------5-5-5-5--|
          lost inside the dreams             of teen machines

||---------x-------------x------------------------------------------------|
||-x-x--x--2-----x-x--x--2-----x-x--x------------------5~-----------------|
||-x-x--x--1-----x-x--x--1-----x-x--x--2h4p2\1-1h2-2/4--------------------|
||-x-x--x--2-----x-x--x--2-----x-x--x--(slow)-----------------------------|
||-x-x--x--0-----x-x--x--0-----x-x--x-------------------------------------|
||-x-x--x--x-----x-x--x--x-----x-x--x-------------------------------------|


BULLET WITH BUTTERFLY WINGS

[I (CyberBry) could not find the name of the author of this tab. If it is yours PLEASE e-mail me and tell me and proper recognition will be givin]

All guitars tuned Eb, Ab, Db, Gb, Bb, Eb

"The world is a vampire..."

*1

G and G mid/light distortion

|---------------------------------------------------------
|---------------------------------------------------------
|-4-4-4-4-(4)----------2-2-2-2----------------------------
|-4-4-4-4--5--2--2-2-2-2-2-2-2----------------------------
|-2-2-0-2--5--2--2-2-2-0-0-0-0----------------------------
|----------3--0--0-0-0------------------------------------
                              ^repeat

*2
                               
|---------------------------------------------------------
|---------------------------------------------------------
|-4-4-4-------------------2---2---------------------------
|-4-4-4-2-2-2-2-2-5-5-5-5-2-2-2-2-------------------------
|-2-2-2-2-2-2-2-2-5-5-5-5-0-0-0-0-------------------------
|-------0-0-0-0-0-3-3-3-3---------------------------------
                                 ^repeat
                          ^ that little " "
                          is for emphasis.

*3

Heavy Distortion!!!

|---------------------------------------------------------
|-------------3-(3-3)---------------------------3---------
|-4--4-4------2--2-2-2--2-9\----------4--4-4----2---------
|-4--4-4-5----0--0-0-2--2-9\--5----4--4--4-5----0---------
|-2--2-0-5----0--0-0-0--0-7\--X----2--2--0-5----0---------
|--------3-0--------------0---3------------3-0---...------
                                   ^repeat
                               ^one of the guitars
                               somehow tremolos a
                               G in here...don't ask
                               me :>
Chorus ends with:

|---------------------------------------------------------
|---------------------------------------------------------
|-------------2-------------------------------------------
|-2---5---4---2-------------------------------------------
|-2---5---4---0-------------------------------------------
|-0---3---2-----------------------------------------------
                ^repeated several times after second chorus
back to *1...

End riff
(similar to *3)

|---------------------------------------------------------
|---------3-----------------------------------------------
|-4-------2-X-2-------------------------------------------
|-4-X-5---0-X-2-------------------------------------------
|-2-X-5---0-X-0-------------------------------------------
|-----3---------------------------------------------------
              add rhythm there as appropriate...

you know how I hate to tab out all those
rhythm strumms (ie. the end riff)...sorry.

TO FORGIVE

  KEY:  p= pull off
Tuning: Down 1/2 step                    ^= bend up

intro/verse
G5         F#5         Em
----------------------------------------------------------
----------------------------------------------------------
----------------------------------------------------------
-----5---5------2----------4---4-------4p2----------------
---5---5------4---4-0----2---2---2----------2-------------
-3----------2----------0------------0---------0-----------

verse part 2
----------------------------------------------------------
----------------------------------------------------------
----------------------------------------------------------
----------------------------------------------------------
------3^--0-----------------------------------------------
--0-------------------------------------------------------

chorus

G                Asus2 Em(use Em part from intro)
holding back the fool again

chorus chords
      EADGBE

Gm    320003
Asus2-x02200


Any questions or comments email me at Riffhead@aol.com

(FUCK YOU) AN ODE TO NO ONE

Tabbed by Brian McCall  bpmccal@clemson.edu>




Eb tuning

*1 Heavy distortion, palm muting throughout

|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2...5-5-5-5-5-5-5-5-5-5-5

|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|-5-5-5-5-5-5-5-5...2-2-2-2-2-2-2-2-2-2-2-2....5-5-5-5...

gradually let off of palm muting
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2------------------------

*2

|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|-4-----4-----4-------4-7-4-----4-----4-------4-7-4-----4
|-4-----4-----4-------4(7)4-----4-----4-------4(7)4-----4
|-2-0-0-2-0-0-2-0-0-0-2-5-2-0-0-2-0-0-2-0-0-0-2-5-2-0-0-2
                           ^repeat
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|-----2--2-----------------------------------------------
|-----2--2-----------------------------------------------
|-0-0-0--0-----------------------------------------------

back to *1

repeat *2 but add this to the end

|--------------------------------------------------------
|--------------------------------------------------------
|-------9------------------------------------------------
|-9-9-X-9----2-------------------------------------------
|-9-9-X-7----2-------------------------------------------
|-7-7-X------0-------------------------------------------

*3

  p.m.------------------|
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|-2-2-2-2-2-2-2-2-2-2-2-2-0h2p0-5~-----------------------
                                   ^repeat twice more

  p.m.------------------|
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|-------------------------2--2---------------------------
|-------------------------2--2---------------------------
|-2-2-2-2-2-2-2-2-2-2-2-2-0--0---------------------------

*4 (strum to the rhythm)

|--------------------------------------------------------
|--------------------------------------------------------
|-------------------------------------------------------
|-4-----4-4-4---4-4-6-6-----7-----9-----11----------------
|-X-----X-X-X---X-X-X-X-----X-----X-----X--2--------------
|-2-...-2-2-2-0-2-2-4-4-...-5-...-7-...-9--0--------------

|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|-4-4-----2-2-2-4-4-----2-2-2-4-4-----2-2-2-4-4---2------
|-4-4-----2-2-2-4-4-----2-2-2-4-4-----2-2-2-4-4---2------
|-2-2-----0-0-0-2-2-----0-0-0-2-2-----0-0-0-2-2---0------

  p.m.-----------...|
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|-2-2-2-2-2-2-2-2...-------------------------------------

slow down....stop.

less distortion

|--------------------------------------------------------
|--------------------------------------------------------
|-2------------2---------2-------------------------------
|-2--2--4------2--2--4---2--2--4---2---------------------
|-0--2--4------0--2--4---0--2--4---2---------------------
|----0--2--/9\----0--2------0--2---0---------------------

repeat *4

LOVE

Tune down half step to flats.
G#                                      B  E
To my mistakes, to my mistakes of cowardice
G#                           B    E              G#
She shimmy shakes, the jimmy jakes of consequence
G#                                  B      E           G#
born of the airs and dues, my airs of madness do declare
G#          B       E
That it's o.k, it's love
E                                                  F#
It's what you wanted to see, it's who you wanted to be

For  what you needed to need, she'll make it up
G# B  C#         E
Love, love, it's who you know
G# B  C#         E
Love, love, it's who you know
G# B  C#         E
Love, love, it's who you know
G# B  C#         E
Love, love, it's who you know
G#                                      B    E
Machine gun blues, her vacant rush so steel
G#                   B     E
I'm unaware, lost inside your visions
G#                        B      E         G#
I got mine too over, i got mine and i got you
G#             B        E
Cause i know you,  you're love
E                                                  F#
It's want you wanted to see, it's who you wanted to be

For what you needed to need, she'll make it up
G# B  C#         E
Love, love, it's who you know
G# B  C#         E
Love, love, it's who you know
G# B  C#         E
Love, love, it's who you know
G# B  C#         E
Love, love, it's who you know
E
When i lost my mind, i knew i was in for a long ride

(Over the solo play the chords G# B C# E as in the chorus)
Solo was tabbed by David Worsely (i stole it)

Solo:
|-5-5-5-5-10\-10\-10\-10\-10\-8---8-10\-14\-16\-17\-|  \ is a bend
|-------------------------------9-------------------|
|---------------------------------------------------|
|---------------------------------------------------|
|---------------------------------------------------|
|---------------------------------------------------|

|-17-15-------15----19-15----20\-17-|
|-------17-15----17-------17--------|
|-----------------------------------|
|-----------------------------------|
|-----------------------------------|
|-----------------------------------|

|-17-15------------------------------|
|-------17-15-12-15-15-17-15-20-full-|
|-------------------------------bend-|
|------------------------------------|
|------------------------------------|
|------------------------------------|
 E                                      F#
Can i look up to you as you look down on me
                                    E
Can i feel in to you as you felt in to me
                                              F#
I can't help what you see, i can't help but to be

For what i needed to need, she'll make it up
G# B  C#         E
Love, love, it's who you know
G# B  C#         E
Love, love, it's who you know
G# B  C#         E
Love, love, it's who you know
G# B  C#         E
Love, love, it's who you know
(Play G# after the last words of the chorus
                 B    E G#
Love solves everything, Love

Thanks, hope you like it!

CUPID DE LOCKE

Transcribed by Dietrich Featherston

b-bend
r-release

e-|-----0----------------|
B-|--5-----5--4b5r4------|
G-|----------------------|
D-|----------------------|
A-|----------------------|
E-|----------------------|

This is probably the easiest song I have ever tabbed I just put it here for
the sake of putting something on the internet.

Marcus Featherston

marcus@interoz.com
mlf@falcon.nssf.af.mil
mfeathe@garnet.acns.fsu.edu

******************************************************************
****   http://www.interoz.com/usr/marcus/access.exe?marcus    ****
****                         OR                               ****
****   http://www.interoz.com/usr/marcus/marcus.htm           ****
****                                                          ****
****   Guitars, Amps, Astronomy, Pianos, Compilers,           ****
****            SW Reengineering, Compilers                   ****
******************************************************************


GALAPOGOS

tabbed by Peter Henderson(Saldek) ; Oshawa, Ontario, CANADA
TUNING: half step down-Eb Ab Db Bb Gb Eb

(verse starts on repeat)
RHYTHM FIGURE 1;

    1.ain't it....
Eb------------------------------9-----------9-------------------
Bb-------10-----------10----------10----------10-----------10---
Gb----11----11~----11----11~---------11~---------11~----11---11~
Db-12-----------12-----------12----------12----------12---------
Ab--------------------------------------------------------------
Eb--------------------------------------------------------------

Eb-----------------9----------9--------------------------15-----
Bb-------10----------10---------10~-12-------12-------------12--
Gb----11----11~---------11~------------12-------12----12--------
Db-12-----------12----------12------------12-------12-----------
Ab--------------------------------------------------------------
Eb--------------------------------------------------------------
				2.carve out...
Eb--------------------------------------------------------------
Bb--------12--------------10----------10----------10-----------10
Gb----12~-------12-----11----11~---11----11~---11----11~----11---
Db-12--------12-----12-----------12----------12----------12------
Ab--------------------------------------------------------------
Eb--------------------------------------------------------------

Eb--------9-----------9-----------9-----------9-----------------
Bb----------10----------10----------10----------10~-12-------12-
Gb-11~---------11~---------11~---------11~-------------12-------
Db-----12----------12----------12----------12-------------12----
Ab--------------------------------------------------------------
Eb--------------------------------------------------------------

                      ...blanket skies..
                       ....old oak tree...
Eb----------15-----------------|---0--0--0--0--0--0--0--0-------
Bb-------------------12-------:|---10-10-10-10-10-10-10-10------
Gb-12----12-------12-------12--|---11-11-11-11-11-11-11-11------
Db----12-------12-------12-----|12-12-12-12-12-12-12-12-12------
Ab----------------------------:|--------------------------------
Eb-----------------------------|--------------------------------


Verse 1;
(with rhythm figure 1)
ain't it funny how we pretend we're still a child
softly stolen under our blanket skies
Dm(no 3rd) D/F# Em7 G                    Dm(no 3rd) D/F#
                   and rescue me from me,
Em7            G
and all that i believe
Dm(no 3rd)D/F#           Em7    G
i.........won't deny the pain
Dm(no 3rd)D/F#           Em7
i.........won't deny the change
G                     Dm(no 3rd) D/F#      Em7
and should i fall from   grace   here with you
G
will you leave me too?

Verse 2;
(with rhythm figure 1)

carve out your heart for keeps in an old oak tree
    D*  D**       E*                    D*
and hold me for goodbyes-and whispered lullabyes
Dm(no 3rd) D/F# Em7 G                    Dm(no 3rd) D/F#
                    and tell me i am still
Em7                     g
the man i'm supposed to be

Dm(no 3rd)D/F#           Em7    G
i.........won't deny the pain
Dm(no 3rd)D/F#           Em7
i.........won't deny the change
G                     Dm(no 3rd) D/F#      Em7
and should i fall from   grace   here with you
G                   Em7  G
will you leave me too?  Will you leave me too?

Interlude;

Eb-------------------------------|------------------
Bb-12\10--7\5--8\7--5\3--7/8~~--:|-----repeat-------
Gb-11\-9--6\4--7\6--4\2--6/7~~---|--------3---------
Db-0---0--0-0--0-0--0-0--0-------|------times-------
Ab------------------------------:|------------------
Eb-------------------------------|------------------

Eb----------------------2-------0----------------------------
Bb-----0---0---0----------0------------or something----------
Gb---2---2---2---2----2-----2-----2---like that..just play---
Db-0----------------0---------0--------around with-----------
Ab---------------------------------------Dm(no 3rd)----------
Eb-----------------------------------------------------------

Bridge;

D5                                 A5                         G5
  too late to turn to turn back now, i'm running out of sound
           A#5       C5
and i am changing, changing
D5                        A5                           G5
  and if we died right now, this fool you love somehow
           A#5
is here with you

Dm(no 3rd)D/F#           Em7    G
i.........won't deny the pain
Dm(no 3rd)D/F#           Em7
i.........won't deny the change
G                     Dm(no 3rd) D/F#      Em7
and should i fall from   grace   here with you
G                   Em7  G
will you leave me too?  Will you leave me too?


Rhythm Figure one ....end with D*

CHORDS;

Dm (no 3rd) - X  X  0  2  3  0
D/F#	    - 2  X  0  2  3  X
Em7	    - 0  2  2  0  3  0
G	    - 3  2  0  0  3  3
D* (?)	    - X  X 12 11 10  9
D** (?)	    - X  X  X 11 10 12
E* (?)	    - X  X  X  7  8  9

 Well there ya go...if you have any questions, corrections or comments please
send them to me....I hope this TAB makes sense for you...And if you know the
names for those chords with question marks..please tell me...
--
| Fidonet:  Peter Henderson 1:229/125
| Internet: Peter.Henderson@pconline.gryn.org


MUZZLE

tabbed by CyberBry    659513@ican.net


A            G     Bm      A           G    Bm
i fear that i'm ordinary just like anyone
to lie here and die among the sorrows
adrift among the days

D                              Bm                           E
for everything i ever said and everything i've ever done is gone
and dead

          D          Bm            A
and all things must surly have to end
and great loves will one day have to part
i know that i'm meant for this world

A            G         Bm          A                  G    Bm
my life has been extraordinary blessed and cursed and won
time heals but i'm forever by and by the way
D                                    Bm              E
have you ever heard the words i'm singing in these songs?

               D          Bm        A
it's for the girl i've loved all along
could a taste of love be so wrong

         D           Bm            A
as all things must surely have to end
and great loves will one day have to part
i know that i'm meant for this world

     A    G    Bm             A                G    Bm
and in my mind i was floating far above the clouds
some children laughed i'd fall for certain
for thinking that i'd last forever
       G    Bm            A
but i knew exactly where i was
and i knew the meaning of it all
and i knew the distance to the sun
and i knew the echo that is love
and i knew the secrets in your spires
and i knew the emptiness of youth
and i knew the solitude of heart
and i knew the murmurs of the soul
         D       Bm              A
and the world is drawn into your hands
and the world is etched upon your heart
and the world so hard to understand
       D        Bm         E
is the world you can't live without
       D           Bm           A
and i knew the silence of the world

PORCELINA OF THE VAST OCEANS

Tabbed by Brian McCall  bpmccal@clemson.edu>

[Db Ab Db Gb Bb Eb] (Eb tuning down to drop D)

*1

G Clean

|--------------------------------------------------------
|---------0---------------0-----------------0------------
|-----6-----6---6-----6-----6---6------12-----12----12---
|---7---------7-----7---------7-----10-----------10------
|-0-----0---------0-----0---------0-------0--------------
|--------------------------------------------------------

|--------------------------------------------------------
|-----------0--------------------------------------------
|------12-----12----12-----------------------------------
|---10-----------10--------------------------------------
|-0-------0----------------------------------------------
|--------------------------------------------------------
                      ^repeat...

G Clean with slight phasing.  Lead fill over *1

|------------------------------------0-------------------
|---------------------------------0----------------------
|--------------------------------------------------------
|-11-(/)-14-(\)-9--11--7--9hbr-7-------------------------
|--------------------------------------------------------
|--------------------------------------------------------

*2 (Pre-Chorus)

Both guitars Heavy distortion

|--------------------------------------------------------
|--------------------------------------------------------
|-11--14---9---11---7/9-9\7------------------------------
|-X---X----X---X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10
|-9---12---7---9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10
|---0----0---0----0---------0-7-7-7-7-7-7-7-7-10-10-10-10...

|------------------------------------------------------------------
|------------------------------------------------------------------
|-11-11--14-14---9-9---11-11---7/9-9\7------------------------------
|-X--X---X--X----X-X---X--X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10
|-9--9---12-12---7-7---9--9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10
|------0-------0-----0------0----------0-7-7-7-7-7-7-7-7-10-10-10-10..

|--------------------------------------------------------
|-----------------------------------------0-0------------
|-----------------------------------------0-0------------
|-7-7-7-----------------------------------5-5------------
|-7-7-7...--------------------------------5-5------------
|-7-7-7-7-7-7-7-7-10-10-10-10-10-10-10-10-5-5...---------

Verse is hard to hear, can't figure it out, but it goes:

D A C G

"And in my mind..."

A C G A C

*3 (longer pre-chorus)

|--------------------------------------------------------
|--------------------------------------------------------
|-11--14---9---11---7/9-9\7------------------------------
|-X---X----X---X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10
|-9---12---7---9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10
|---0----0---0----0---------0-7-7-7-7-7-7-7-7-10-10-10-10...

|------------------------------------------------------------------
|------------------------------------------------------------------
|-11-11--14-14---9-9---11-11---7/9-9\7------------------------------
|-X--X---X--X----X-X---X--X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10
|-7--7---12-12---7-7---9--9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10
|------0-------0-----0------0----------0-7-7-7-7-7-7-7-7-10-10-10-10..

|--------------------------------------------------------
|--------------------------------------------------------
|-11--14---9---11---7/9-9\7------------------------------
|-X---X----X---X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10
|-9---12---7---9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10
|---0----0---0----0---------0-7-7-7-7-7-7-7-7-10-10-10-10...

|--------------------------------------------------------
|-----------------------------------------0-0------------
|-----------------------------------------0-0------------
|-7-7-7-----------------------------------5-5------------
|-7-7-7...--------------------------------5-5------------
|-7-7-7-7-7-7-7-7-10-10-10-10-10-10-10-10-5-5...---------

*4 Feedback Verse

G
  8va (what the hell does that mean anyway?)----|
|--------------------------------------------------------
|--------------------------------------------------------
|-/14--------\9------/17------\7------/14-----\9---------
|--------------------------------------------------------
|-/12--------\7------/15------\5------/12-----\7...------
|--------------------------------------------------------

Allow octaves to feedback at different pitches

repeat the riffs, and that's Porcelina!


TAKE ME DOWN

Written and performed by James Iha

Transcribed by Adam Morris

I have a feeling many of you who were bagging this song earlier
have changed your minds. It IS a great song..really grew on me!
Anyway, here is my take on how it is played.

Tuning: Eb

Take note: I have four (kinda 5) different E's in here.

Sorry there so many chords, but this is as accurate as I get :)

CHORDS USED:

       E A D G B E
       - - - - - -
E      0 2 2 1 0(0)
E(i)   0 2 2 4 2 x  (actually E (no 3rd) (add C#)
E7M    0 2 2 4 4 4
Esus2  0 7 9 9 7 7
A      x 0 2 2 2 0
A5     x 0 2 2 x x
G#m    4 6 6 4 4 4
G#5    4 6 6 x x x
D#/E  x 6 9 9 x x
C#sus2 x 4 6 6 4 4
Bsus2  x 2 4 4 2 2
F#5    2 4 4 x x x

Intro: E(i)  E7M  ,  E(i)  E7M  

E(i)                       E7M  
  and take me down, to the underground
E(i)                             E7M  
  won't you take me down, to the underground
A5
why oh why, there is no light
A5                                        (BASS NOTE: B)
and if i can't sleep, can you hold my life
    Esus2  D#/E  C#sus2  Bsus2
And Allie_________________  (I know these aren't the lyrics, but this bit
                             is not written in the lyrics)
A5
and all i see is you

E(i)  E7M  ,  E(i)  E7M  

E(i)                   E7M  
   and take my hand, i lost where i began
      E(i)
in my heart i know all of my faults
         E7M          E
will you help me understand
A
  and i believe in you
           G#m
you're the other half of me
Csus2  (Bass Note: High E)  Bsus2
soothe...      and          heal...
         A
when you sleep, when you dream,
        Bsus2                 Bsus2               Bsus2
i'll be there if you need me, whenever i hear you sing...
A5         E7M     A        Esus2    D#/E  C#sus2    Bsus2         A5
there is a sun,       it'll come, the sun, i hear them call me down
  Esus2            D#/E               C#sus2          Bsus2
i held you once, a love that once, and life had just begun
A5
and you're all i see...
    Esus2              D#/E             C#sus2 Bsus2
and trumpets blew, and angels flew on the other side
           A5                    G#5
and you're all i see, and you're all i'll need
          F#5                        E
there's a love that god puts in your heart.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Well...that, I believe, is pretty damn close!
Anyone agree/disagree?

E-mail me with any comments, improvements, and tab requests!

Adam Morris (benmo@deakin.edu.au)

WHERE BOYS FEAR TO TREAD


		       Transcribed By - BUGG_SUPERSTAR@S-GRIFFIN.COM


		* Tuned Down - Eb,Ab,Db,Gb,Bb,Eb *

    This is a pretty easy tune of the new album, throughout the whole
    song there are only two riffs.  I will show the two, and you can
    figure out the rest for yourself.  I have seen other attempts at
    this song, but I think this is the most accurate.


Main Riff of the Whole Song

Eb-|--------------------------------------------------------------------|
Bb-|--------------------------------------------------------------------|
Gb-|--------------------------------------------------------------------|
Db-|--------------------------------------------------------------------|
Ab-|-3/5---------------3------------------------------------------------|
Eb-|------4--4--0-0-0----1--3-3-3-3-3-3-3-3-----------------------------|


Second Riff, used in Chorus and at the end

Eb-|--------------------------------------------------------------------|
Bb-|--------------------------------------------------------------------|
Gb-|--------------------------------------------------------------------|
Db-|-3-3-3-3---3-3-3--3-3-3-3-3-5-4-------------------------------------|
Ab-|-3-3-3-3---3-3-3--3-3-3-3-3-5-4-------------------------------------|
Eb-|-1-1-0-1---1-0-1--1-1-1-1-1-3-2-------------------------------------|

Thats pretty much it, near the end it does the previous part, but without
going up to the G5 and F#5 (I Think thats it).

This is my first transcription, so please write me with and comments and
suggestions at BUGG_SUPERSTAR@S-GRIFFIN.COM. Enjoy :)

BODIES


First off, use what Billy calls 'grunge tuning' (dropped D).  Then take that Dropped D and tune it down a
half step to a C#  In the last guitar world interview  Billy said the whole album was tuned down a half step to get a deeper sound.  After that, the song is quite easy.

Major distortion
"Love is suicide...."
---------------------------------------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------
--3333333333/777777777777\22222222222/333333333--
--3333333333/777777777777\22222222222/333333333--
--3333333333/777777777777\22222222222/333333333--

change #1 "...casualties of their own past...."

---------------------------------------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------
--2222222222/777777777777\55555555555\222222222--
--2222222222/777777777777\55555555555\222222222--
--2222222222/777777777777\55555555555\222222222--

change #2 "...nobody ..."

---------------------------------------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------
--5555555555/777777777777\222222222/55555555555--
--5555555555/777777777777\222222222/55555555555--
--5555555555/777777777777\222222222/55555555555--

I can't remember exactly where in the lyrics the changes are but once
you listen to the song you'll know where they are & where changes  #1 and #2 go.
Be patient with my instructions, this is my first posting.  Recommendation: use a light pick to get that continuous guitar attack.  Cheers to everyone else who has posted tabs. Much appreciated. I'm waiting
for help with the rest of the songs off this double album masterpiece.  Especially 'To forgive' & 'Jellybelly'.


THIRTY-THREE

Tabbed by Peter Henderson(Saldek); Oshawa, Ontario, CANADA
Special thanks to Rich Santos
TUNING Half Step Down-Eb Ab Db Gb Bb Eb

Ok well..here's the tab....i think this is how they play it....
There is another guitar part for this..it has some effect on it..
But as you will see..i didn't tab it....Sorry

CHORDS:
     	       Eb Ab Db Gb Bb Eb
C - 		x  3  2  0  1  0
Dm(no 3rd) -	x  0  0  2  3  0  --reffered to as Dm in the tab
G -		3  x  0  0  3  3

V-downstoke
^-upstroke

FIGURE 1;				FIGURE 2;

Eb--3--3--2--2--3--3--3-/-5-5-3--2---	Eb--3--3--2--2--3--3--5-5-5-/-7-5---
Bb--0--0--0--0--0--0--0---0-0-0--0---	Bb--0--0--0--0--0--0--0-0-0---0-0---
Gb--0--0--0--0--0--0--0---0-0-0--0---	Gb--0--0--0--0--0--0--0-0-0---0-0---
Db--0--0--0--0--0--0--0---0-0-0--0---	Db--0--0--0--0--0--0----------------
Ab--X-----------X-------------X------	Ab--x-----------X-------------------
Eb--3-----------3-------------3------	Eb--3-----------3-------------------
    V  V  ^  ^  V  V  ^     ^ V  V          V  V  ^  ^  V  V  ^ ^ V     V

FIGURE 3;
Eb--3--3--2--2--3--3--5-5-5--3--2---
Bb--3--3--3--3--3--3--3-3-3--3--3---
Gb--0--0--0--0--0--0--0-0-0--0--0---
Db--X--x--------x------------X------
Ab--3--3--------3------------3------
Eb----------------------------------
    V  V  ^  ^  V  V  ^ V ^  V  ^

Intro;
[FIG.1] [FIG.2] [FIG.1] [FIG.2]

[C] speak to me in a [Dm] language i can [FIG.1] hear
     [C] humour me [Dm] before i have to [FIG.1] go
[C] deep in thought i [Dm] forgive every - [FIG.1] one
as the [C] cluttered streets [Dm] greet me once [FIG.1] again
i know i can't be [C] late,[Dm] [FIG.2] supper's waiting on the [C] table [Dm]
[FIG.1] tomorrow's just an excuse away [C] [Dm]
so i [FIG.2] pull my collar up and face the [C] cold,
[Dm] on my own [FIG.1]

the [C] earth laughs [Dm] beneath my heavy [FIG.1] feet
at the [C] blasphemy     
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