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Mr T Experience - Yesterday Rules - таба, видео

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Mr T Experience - Yesterday Rules - таба, видео

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NOTE: This Is Not My Own Work!! These are the tabs as found on the Mr. T Experience 
"Yesterday Rules"... I just thought I'd Upload them for those who don't own the cd...

Track Listing:
1:She's Not A Flower
2:Fucked Up On Life
3:Oh, Just Have Some Faith In Me
4:Big, Strange, Beautiful Hammer
5:Sorry For Freaking Out On The Phone Last Night
6:The Boyfriend Box
7:London
8:Elizabeth Or Fight!
9:Everybody Knows You're Crying
10:Jill
11:Shining
12:Institutionalized Misogyny
13:Take All The Time You Need

SHE'S NOT A FLOWER

Intro: D Dsus2 A E (4x)

A     D     E   F
She's not a flower

A                         D
she isn't growing in your garden today

A                          E
you couldn't cultivate her anyway

A      D     E     F
you're not a king bee

A                         D
you like honey and you're packing a sting

A                      E
but there really isn't such a thing

D
you're in flight, and she smells all right

                A            E
but she's not a flower

As intro x4

A     D      E  F
She's not an o  cean

A                            D
that you're an island in the middle of

A                   E
and there isn't any prison of love

A      D     E   F
you're not a freebird

    A               D
hey you, up on that mountain peak

A                            E
can't you hear what's coming out of your beak?

D
you can say you'll fly away

    D            A                E
but you're not a freebird

As intro x4

A      D     E   F
Love's not a poison

A                        D
you better find a better reason why

A                 E
you feel like you want to die

   A    D           E    F
a broke heart won't kill you

A                         D
you might suffer till the end of your days

A                         E
but that was gonna happen anyways

    D
and even if the love  you mourn

   A
is equal to the love you scorn

    E                 E7
and fortune mocks the love you gave

    D                Dmaj7
and someone lays her on your grave

D           A               E
she's not a flower

Outro = intro x2
=============================================================================
FUCKED UP ON LIFE

This song is in B flat, but most of the guitar was played with a capo on the third fret, 
though playing in G. The true chords are indicated below, with the fingered chords in brackets.

                  Bb [G]
I don't have many friends
just some pretty loose and dead ends

             Cm [Am]      F7 [D7]                 Bb [G]
even one can be                    a bit much for me

                                                 Bb [G]
and they call me but I never end up calling them back
they lose patience as I lose track

                Cm [Am]    F7 [D7]
I don't care anymore

          Bb [G]
if I ever did before

        Eb [C]              Eb/D [C/B]       F [D]
but I'm not          really paying       attention

       Cm [Am]            Cm7/Bb [Am7/G]      F [D]
people say what        reflects well on       them

    Cm [Am]      Cm7/Bb [Am7/G]                   F [D]
and everyone's   lying like                       rugs

    Cm [Am]            Cm7/Bb  [Am7/G]  F [D]
and everyone           thinks I'm on    drugs

    Eb [C]       Eb/D  [C/B]
but I'm          just

Eb [C]   Eb/D [C/B]       Cm7 [Am7]        Bb [G]
fucked   up               on               life

cause it doesn't add up

                                Bb [G]
and I never know what should be done
I know I'm far from the only one

                  Cm [Am]    F7 [D7]
I stay out of the fray

                   Bb [G]
I figure I do less damage that way
I'm outstanding in my field

                                      Bb [G]
and all I ever want to do is just get plowed
I always feel outnumbered in a crowd

                    Cm [Am]    F7 [D7]
and if the truth be known

                            Bb [G]
I feel outnumbered when I'm all alone

          Eb [C]    Eb/D [C/B]             F [D]
if you're wondering why there's no         affect

       Cm [Am]         Cm7/Bb  [Am7/G]                F [D]
when I speak, when you look in my                     eyes

  Cm [Am]    Cm7/Bb bass [Am7/G]             F [D]
I couldn't begin to                        explain

Cm [Am]      Cm7/Bb bass [Am7/G]             F [D]
I'm almost   perfectly                       sane

    Eb [C]     Eb/D [C/B]
but I'm        just

Eb [C]   Eb/D [C/B]    Cm7 [Am7]      Bb [G]
fucked   up            on             life

Eb [C]           Bb [G]    Eb [C]   Bb [G]
I'm              just      fucked   up,

Eb [C]   Eb/D [C/B]   Cm7 [Am7]   Bb [G]  Ab [F]
fucked   up           on          life

      Eb [C]
oo oo oo

Bb [G]   F [D]        Ab add9 [F add9]    Eb [C]     F [D]
ah       na  na na    na

        Bb [G]
dum dum day
I never know what I should do or say

                Cm [Am]    F7 [D7]
when words fail me

          Bb [G]         F[D]
I react reciprocally

Eb [C]     Eb/D [C/B]
I'm        just

Eb [C]    Eb/D [C/B]        Cm7 [Am7]  Bb [G]
fucked    up                on         life

Eb [C]           Bb [G]    Eb [C]   Bb [G]
I'm              just      fucked   up,

Eb [C]   Eb/D [C/B]     Cm7 [Am7]  Bb [G]
fucked   up             on         life

=============================================================================
OH, JUST HAVE SOME FAITH IN ME

Intro: D D7 C Cmaj7 (2x plus 2x w/D bass)

           D
You didn't make my crucifixion

                             A
I know you had a lot on your plate

         D                    G
but from what I read and what everyone said

A
I handled it just great

         D
I'm even kind of disappointed

                                   G
cause I really couldn't feel it at all

               Bb          D           F#7
well I'll come down to you when I get around to you

G             A     D
all you gotta do is crawl

D                  C        G
oh, just have some faith in me

C7                   G7           D    C G
smart things come in stupid packages

D
when all you hear is the crying

                                 A
you read a lot into each other's sobs

            D
we're going through a spell

          G
but we're aging well

A
even if we don't have jobs

      D
and we can't even leave the apartment

                              G
cause we live on such a scary street

G           Bb
but I don't mind

     D        F#7          G              A            D
I'll risk my  life just to try to get you something to eat

D                  C        G
oh, just have some faith in me

     C7               G7          D     C G
pure love gets sent in mixed messages

D D7sus2                   C     G
oh,         just have some faith in me

C7                   G7          D
smart things come in stupid packages

         A
so come on

D  Am7   C G  w/D bass (x4)
bop bop bop...

D                  C     G
oh, just have some faith in me

     C7                   G7             D
I'll guide you through the obscure passages

D  D7sus2                  C     G
oh,         just have some faith in me

C7                   G7           D       (3x)
smart things come in stupid packages

Intro as outro x2

=============================================================================
BIG, STRANGE, BEAUTIFUL HAMMER

This song is in B flat, but most of the guitar was played with a capo on the third fret, 
though playing in G. The true chords are indicated below, with the fingered chords in brackets.

Intro: Eb [C] Eb/D [C/B] Cm [Am] x2
Eb [C] Eb/D [C/B] Cm [Am] Cm7 [Am7] F [D] F9/Eb [D9/C]
Bb/D [G/B ] F [D] F7 [D7]

                Bb [G]                 Cm [Am]
Discretion is a must,  rising from the dust,

                 Eb [C]        Bb [G]
on your feet but just a bit unsteady

                       Bb [G]                Cm [Am]
you want to close your eyes, be taken by surprise

                      Eb [C]     F [D]
but not before you're absolutely ready

       Eb [C]             Bb [G]
so lay low,    as time permits

           Eb [C]                 Bb [G]
and you'll know       it  when it hits:

                        Eb [C]  Eb/D [C/B]   Cm [Am]
it's gonna sound like a big

                        Eb [C]  Eb/D [C/B]   Cm [Am]
it's coming down like a big

                        Eb [C]  Eb/D  [C/B]   Cm [Am]  Cm7 [Am7]
it's gonna pound like a big,    strange,      beauti   ful

F [D]    F9/Eb[D9/C]  Bb/D [G/B]   F[D]
hammer

                      Bb [G]              Cm [Am]
You're feeling like a saint, powerful but faint

                 Eb [C]        Bb [G]
like you want to call for an attendant

              Bb [G]                  Cm [Am]
heavy in your hand,      courage on demand

                   Eb [C]        F [D]
you feel safe, and strangely independent

        Eb [C]            Bb [G]
once baptized in pain and light

           Eb [C]           Bb [G]
you'd be advised to hold on tight

                        Eb [C]  Eb/D  [C/B]   Cm [Am]
when you collide with a big

                    Eb [C]  Eb/D  [C/B]   Cm [Am]
you coincide with a big

                     Eb [C]  Eb/D  [C/B]   Cm [Am]  Cm7 [Am7]
filled inside with a big,    strange,      beauti   ful

F [D]       F9/Eb [D9/C ]  Bb/D [G/B]    F[D]   F7[D7]
hammer

                    Eb [C]
it's coming down on you

                     Bb [G]
it's gonna drive you home

Eb [C] Eb/D [C/B] Cm [Am] Cm7 [Am7] F [D] F9/Eb [D9/C]
Bb/D [G/B] F [D]

Bb [G]      Ab [F]     Eb7 [C7]   Bb [G]
hammer,                 hammer,

    Bb [G]     Ab [F]           Eb7 [C7]   Bb [G]
big hammer,             strange hammer

                Bb [G]                  Cm [Am]
Discretion is a waste, now you've had a taste

                    Eb [C]              Bb [G]
you see yourself as well-maintained and polished

               Bb [G]                 Cm [Am]
existence is a test, we try to do our best

               Eb [C]        F [D]
but we're on a quest to be demolished

          Eb [C]             Bb [G]
it's your right, so don't be shy

        Eb [C]               Bb [G]
day and night you're smitten by

               Eb [C]  Eb/D [C/B]   Cm [Am]
the might of a big

                        Eb [C]  Eb/D [C/B]   Cm [Am]
the blinding light of a big

                    Eb [C]  Eb/D [C/B]
in the night of the big,    strange,

Cm [Am]     Cm7 [Am7]   F [D]      F7 [D7]
beauti      ful         hammer

Bb [G]    Ab [F]     Eb7 [C7]   Bb [G]
hammer,              hammer,

Bb [G]     Ab [F]               Eb7 [C7]   Bb [G]
big hammer,             strange hammer

=============================================================================
SORRY FOR FREAKING OUT ON THE PHONE LAST NIGHT

Intro: D A G flat5 G D

     D                     G                 D
I'm sorry for freaking out on the phone last night

                                     G             D
I don't know how it happened but I'm basically all right

     A                       D
even though you never really know

  G                                 D
before you start to wonder like I'm pretty sure you do

      A                            D           D7
how a man can be so fragile and so easy to see through

        G            D
while remaining so inflexible

     Bm       A        G
I've noticed that one, too

          D                 A        G flat5    G      D
but let's keep the freaking out to a min        imum

D A G flat5 G D

    D                           G                D
I'm sorry for freaking out when you freak out on me

                                     G              D     A
things don't always come out how you wanted them to be anyhow

          D
including now

    G
are we just being normal?

        D
it's so difficult to tell

    A                           D           D7
and love can be so simple and impossible as hell

       G              D              Bm   A       G
I've devised a little system you can implement as well:

      D                 A         G flat5    G        D
let's keep the freaking out to a  min        imum

D A G flat5 G D

          A7
I'm sorry now

           E7
I'm always sorry

              G          D
you're always sorry in return

             A7
and I'm with you

         E7
I always mean well, too

        G                   A        A9
you can mean well and never learn

              D                      G            D
but I'm still sorry for freaking out in the car today

                                   G                  D     A7  D
I can't always see straight when I don't know what to say

        G                                D
there's still so many questions that the chances could be slim

           A                               D               D7
that we'll lay them all to rest before our lights begin to dim

         G               D              Bm     A        G
when you let love move a mountain you endanger life and limb

          D                 A        G flat5    G         D
but let's keep the freaking out to a min        imum

          D                 A        G flat5    G         D
but let's keep the freaking out to a min        imum

D     A               Gm        D
oo oo oo oo oo oo     oo oo

=============================================================================
THE BOYFRIEND BOX

         A7
How many times can you read that letter,
and what do you need it for?
Can't you see that the salutation
has no meaning anymore?

        D7
And you can't resurrect the body,
and the closing's out of date

           E7
and if you stumble upon an answer

        G6            D7
it will always be too late--

           A         C       D             F         A       D C  A
you better take that letter, put it in the boyfriend box.

        A7
Are you still staring at that picture
of someone who doesn't care?
just like you're looking through a window
at a world that isn't there?

          D7
If you're trying to reconstruct it,
it will only fall apart

       E7
'cause there's really nothing in it

         G6           D7
but your late, great, heart--

           A         C        D             F         A     D C  A
you better take that picture, put it in the boyfriend box.

A   G  D   D   G  A   A   G  D       D C  A
ooh la la, ooh la la, ooh la la

        A         C7       D7     A     A7     C7      D7     A
There's something dark and dead         buried in your head,

    G7   D7         A
and underneath your bed.

A            C7      D7  A          A7       C7       D7       A
You're still tempted to          believe the world is true.

    G7   D7     A7      E7#9
You even almost do.

            A7
Your little world is a little empty,
but the memories never stop
organizing themselves in layers,
the most recent at the top.

       D7
If you need to go any deeper
you can dig them out again,

        E7
just in case you need to be reminded

   G6                 D7
of what a fool you've been--

             A          C         D               F         A     D C  A
you're gonna take those memories, put them in the boyfriend box,

A   G  D   D   G  A   A   G  D
ooh la la, ooh la la, ooh la la

A          C        D               F         A     C    D
Take those letters, put them in the boyfriend box

    F         A        C  D           F         D           D C  A
the boyfriend box,                the boyfriend box

=============================================================================
LONDON

This song is in A flat, but most of the guitar was played with a capo on the first fret, 
though playing in G. The true chords are indicated below, with the fingered chords in brackets.

Ab [G]                      Dbmaj7 [Cmaj7]
       You have to hate the world

Bbm7 [Am7]                            Eb [D]
                it's required by your clothes

Ab [G]                    Dbmaj7 [Cmaj7]
           consistency is everything

Bbm7 [Am7]                     Eb [D]
                  as everybody knows

        Fm [Em]
it's so cold, baby

                   Db/F [C/F]
you're losing your hold, baby

                 Fm  [Em]
and you're gonna fold, baby

           Eb [D]   Db add9 [C add9]    Ab [G]  Eb [D]
before too long

    Ab [G]     Eb [D]       Db [C]         Ab [G]
but don't tell me      your secret lies in London

Ab [G]      Eb [D]       Db [C]   Dbmaj7 [Cmaj7]
I         already        know

Ab [G]       Eb [D]          Bbm [Am]             Db [C]
I can        see        your secret       lies in London

Ab [G]         Eb [D]   Dbadd9 [Cadd9]    Ab [G]  Eb [D]
everywhere I   go

Ab [G]                      Dbmaj7 [Cmaj7]
         There is a sun somewhere

Bbm7 [Am7]                   Eb [D]
              extremely far away

Ab [G]                       Dbmaj7 [Cmaj7]
          your tired eyes, reflecting the sky,

Bbm7 [Am7]                     Eb [D]
               a drizzly steel grey

           Fm  [Em]
there's no light        in there

               Db/F [C/F]
and there's no sight          in there

      Fm  [Em]
I get right      in there, and it's all

Eb [D]   Dbadd9 [Cadd9]    Ab [G]  Eb [D]
dark

    Ab [G]   Eb [D]          Db [C]         Ab [G]
but don't  deny         your secret lies in London

Ab [G]      Eb [D]       Db [C]   Dbmaj7 [Cmaj7]
it's not    worth your   while

Ab [G]     Eb [D]      Bbm [Am]          Db [C]
you can    lie         back and think of England

    Ab [G]         Eb [D]   Db9 [C9]    Ab [G]        Eb [D]   etc.
and miss it by a   mile                 ya na na na   na

    Ab [G]       Eb [D]         Db [C]         Ab [G]
you can't     conceal      your secret lies in London

Ab [G]      Eb [D]        Db [C]   Dbmaj7 [Cmaj7]
obvi        ous      ly   not

Ab [G]     Eb [D]       Bbm [Am]          Db [C]
I can      feel your    secret lies in    London

Ab[G]           Eb[D]       Db9 [C9]    Ab [G]        Eb [D]   etc.
deeper than you thought                 ya na na na   na

=============================================================================
ELIZABETH OR FIGHT!

    Em    C     B7
E   liz   A     beth,

      G    C  D
don't look to me

        Em             D               Em  D  C
you can be yourself or find some other way to be

    Em   C     B7
but time won't wait

         G  C  D
and even if it does

Em            D             Em  D  C
it's unlikely to go back to how it was

   G               D         D7
so my advice is to not think twice:

     Cm9     F9       G
Elizabeth    or       fight

Em    C       B7
stick to your guns

            G    C D
it won't be long before

   Em              D             Em     C     Dmaj7
surrendering won't be an option  a      ny    more

    G           D     D7
so in the end I recommend:

     Cm9          F9      G            (x2)
Elizabeth         or      fight

Am        D    G       D7 flat 9    Em    Em7/D bass
peace whenever justice will       allow

Am7      D
peace forever

 Cm6          G
Elizabeth for now

Em   C    B7     G  C  D
if   that means eternally

Em            D            Em    D       Cmaj7
fighting for Elizabeth and Li    ber     ty

   G
or the reverse

          D       D7
you could do much worse:

     Cm9     F9        G          (x3)
Elizabeth    or        fight.

=============================================================================
EVERYBODY KNOWS YOU'RE CRYING

Intro: A D A E D A

A                  D
Everybody says you shouldn't cry

     E      A
everybody's standing by

                      D
and everybody's gonna roll their eyes

       E     A
if you ever do

A                   D
everybody says it's not too late

            E        A
and you can still participate

              D
you take everybody's bait

              E         A
and everybody laughs at you

F#m               D           A
they'll leave you crying all alone

F#m              D                A             E
they'll say they wouldn't have if they had only known

    A                                          D
but you see the reality behind their indulgent stares--

A                      E
everybody knows you're crying

D                  A                          E
no one ever really cares

Intro part: A D A E D A

A                         D
everybody thinks you're a little slow

     E         A
everyone wants you to know

                                 D
they went through the same thing long ago

                   E       A
and it wasn't that hard to do

A                   D
everybody says they sympathize

          E        A
you stand by while they describe

                       D
someone you don't even recognize

                   E         A
that's supposed to look like you

F#m      D           A
but they never can explain

F#m    D                  A       E
how to live with such spectacular pain

    A
and when you're at your weakest

                      D
they advise you to be strong

A                      E
everybody says they've been there

D                 A                 E
everybody must be wrong

A            D    A                      E         D   A
ooh ooh ooh  ooh  everybody knows you're crying

                Dadd9
they send their love
and love is loud

               F#m              B7
they feel it's greatly to their credit

            E
and they're proud

            F#m
of their compassion,

         D
and it's true

                      A              E
but it doesn't have a lot to do with you

        A
and you can't escape the conclusion

                              D
though you don't like what it was:

A                   E
everybody says they love you,

D                  A         E
no one ever really does.

A            D    A                      E
ooh ooh ooh  ooh  everybody knows you're crying

A                      D
everybody knows you're crying

A                      E              D       A
everybody knows you're crying

=============================================================================
JILL

      Em            C         G
I was here when the call came through, Jill

      Em                 C      G
and I screened it like I always do, Jill

         C
and they hung up on the machine

          G               C  G
just like you, Jill

           Em          C           G
well, that sounds like one of your stunts, Jill

        Em         C        G
and I'm only gonna say this once, Jill

    C
you haven't left a message for me

               G                  C  G
in a couple of months, Jill

        D
I'm not blaming you, Jill

        Am          C
this is hard to do, Jill

                                                         G        D
but I still don't know why I always feel like crying, crying,  crying

          Em                  C                   G
I'm still having some trouble tying up your loose ends, Jill

      Em                         C              G
and I still see life through the same distorted lens, Jill

      C
and I think I may have said some things about you

                         G                     C   G
in front of some of your friends, Jill

          Em         C         G
well, I'm sorry if I hurt your feelings, Jill

    Em                     C                       G
but these are not normally people with whom I have dealings, Jill

  C
I still spend most of my time in silence alone

           G                    C   G
staring at ceilings, Jill

        D
but you know all that, Jill

         Am          C
what I'm getting at, Jill
is I can't stop not knowing

                                       G       D      C  G
why I never don't feel like crying, crying, crying

=============================================================================
SHINING

D
She, shining like a star, like a sun, like a moon

                   A
and all that other stuff you know

D
I wanted everything, she gave me everything

                         A
but everything is never enough

G               D               A
what I mean is, she, my kind of fluff.

A                D
Like a star or a sun or a moon

                      G
like the surface of a still lagoon

                 D                      A
like a stainless steel spoon she's shining

D
reach out to turn her on

                                 A
she fills the room and hijinks ensue

D
in dark nights of the soul

                                                 A
I don't mind saying that I think I've had one or two

G                  D           A
tried to tell her, she already knew

A            D
like an incandescent wish

                   G
like a silverplate chaffing dish

               D                   A
like a Siamese fighting fish she's shining

A               D
like a blinding brilliant thing

                  G
like a turned on electric ring

                D                  A
like a novel by Stephen King she's shining

Em   A    Em  G   A
ooh  ah,  ooh ooh ooh ah

Em             D
glowing in her jar

                            A
just like a little piece of star

Guitar solo, as verse

G   D           A
ooh ooh ooh ooh ah

A            D
like a blue electric shock

            G
like a radioactive rock

                    D                   A
like the hands of a digital clock she's shining

A                      D
like the Thames or the Rhine or the Nile

                   G
like a luminescent radio dial

                   D                A
like a brand new ceramic tile she's shining

G   D         A        G  D          A
    ooh she's shining,    ooh she's shining

Em              D
in this endless night

                           D
she's my little misguiding light

=============================================================================
INSTITUTIONALIZED MISOGYNY

This song is in C#, but some of the guitar was played as though in G with a capo on the 
fret (if you can believe that) while some was played as though in C with the capo on the 
fret. The true chords are below, with the fingered chords (in G) in brackets.

C# [G]               F# [C]   C# [G]    F# [C]
I'm not complaining, I'm just figuring  out

    C# [G]     G# [D]     C# [G]
how everything left us behind

C# [G]             F# [C]     C# [G]
I got my problems, I'm       aware of them

F# [C]    C# [G]        G# [D]    C# [G]
I'll take care of them, never you mind

       F#9 [C9]        C#/F bass [G/B]    D#m7 [Am7]
you're still repeating pre-recorded       things

             G#6 [D6]        F#9 [C9]
they used to say in       universities

    C#/F bass [G/B]      D#m7 [Am7]      G# [D]
and books on left wing   politics and    law

      F#9 [C9]     C#/F bass [G/B]
about underlying   structures

        D#m7 [Am7]        G#6 [D6]
that so far as they mean  anything

       F#9 [C9]              C#/F bass [G/B]
still  won't support the     personal

   D#m7 [Am7]        C# [G]
connections that you draw

C# [G]     F# [C]      G# [D]    C# [G]
In               sti   tutional  ized

C# [G]   C#/C bass [G/F# bass]    Bbm [Em]   G# [D]
mis      o                        gy         ny

C# [G]              F7 [B7]      F# [C]   C#dim [Gdim]
      that's        all that     stands between

C# [G]       G# [D]       F# [C]   C# [G]
          my baby and     me

    C# [G]           F# [C]   C# [G]    F# [C]       C# [G]
now science tells us I'm hard-wired to, I'm       required to

G# [D]     C# [G]
do it with you

       C# [G]         F# [C]   C# [G]
'cause I'm a man, and you're a woman

    F# [C]      C# [G]        G# [D]   C# [G]
and that's what those kind of people   do

  F#9 [C9]             C#/F bass [G/B]
I stole that line from Woody Allen

D#m7 [Am7]     G#6 [D6]
isn't it      amusing

       F#9 [C9]         C#/F bass [G/B]
I wish I could make you understand

     D#m7 [Am7]    G# [D]
what Woody Allen   meant.

           F#9 [C9]         C#/F bass [G/B]    D#m7 [Am7]
If there's no such thing as objective        reality

    G#6 [D6]          F#9 [C9]       C#/F bass [G/B]
why can't we quit our jobs and just imagine

         D#m7 [Am7]      C# [G]
we won't have to pay the rent?

C# [G]     F# [C]      G# [D]    C# [G]
In            sti           tutional  ized

C# [G]   C#/C [G/F#]    A#m [Em]   G# [D]
mis      o              gy         ny

C# [G]          F7 [B7]     F# [C]      C#dim [Gdim]
       that's   why they're charging    rent

C# [G]          G# [D]       F# [C]   C# [G]
      to my     baby and     me

G# [D]
       Michelle, ma belle:

            F# [C]  C# [G]
ton beau, Michel Foucault

G# [D]                               F# [C]   C# [G]
      a Foucault dependent is always ready to go

A#m [Em]              F# [C]
       I think we're alone

             G# [D]      G#7 flat 9 [D7 flat 9]
I might have known

A#m [Em]             G#9 [D9]       F# [C]
           she's got Chomsky on the phone

C# [G]     F# [C]      G# [D]    C# [G]
In            sti           tutional  ized

C# [G]    C#/C bass [G/F# bass]    Bbm [Em]   G# [D]
mis        o                       gy         ny

C# [G]             F7 [B7]      F# [C]    C#dim [Gdim]
       that's      all that     stands between

C# [G]       G# [D]      F# [C]   C# [G]
          my baby and    me

   G# [D]      F# [C]   C# [G]     G# [D]   F# [C]   C# [G]
my baby and    me               my baby and me

C# [G]  F# [C]  G# [D]  C#6 [G6]

=============================================================================
TAKE ALL THE TIME YOU NEED
Intro: F C G x4

C      G   Am        G        F       G F
If you had wanted to see me today

C   G    Am             G       F     G F
I assume you could have found a way

           Dm7    Em      F   G
but that's not    how   today went

         Dm7   Em     F   G
God only knows what today meant

C            G
Take all the time you need

Dm            G
I'm not going anywhere

C               G
we're unsafe at any speed

F   C            G                  F C G
    take all the time you need

     C       G         Am        G      F      G F
If I had the chance to say how I feel I would

C    G         Am            G       F         G  F
even though it wouldn't make me look good

             Dm7   Em    F    G
that's ammu  ni    tion  you lost

               Dm7    Em    F    G
while you were try    ing   to exhaust

C         G
each possibility

Dm             G
until you've exhausted me

C             G
the last of a dying breed

F  C            G              F C G   F C G   F C G
   take all the time you need

C     D   A    C    D   A
and   I   will love you still

                       F#m11
but you're hardly even needed now

                  E            F C G  F C G
as a lesson to us all

      Dm7   Em   F     G
and I want  you  back again

            Dm7  Em   F      G
but I don't know what I'd do then

C            G
Take all the time you need

Dm           G
I haven't prepared my case

C               G
I wouldn't know how to plead

F    C            G
  so take all the time you need

F   C            G
    take all the time you need

F   C            G
    take all the time you need

F           C           G           etc.
   and I'll follow your lead

=============================================================================
Добавлено: 10.08.2013
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